Open Doors Academy

Open Doors for Parents & Mentors

The same ideas, aimed at the adults around a young person rather than the young person. How to model presence and follow-up in ordinary family conversations, and how to coach an introduction without doing it for them.

3 modules · about 31 minutes · a 10 question test after each

What actually opens the door

Most adults coaching a young person reach for the things that can be measured: grades, scores, a résumé, a list of activities. Dr. Crosse's argument is that those get a young person noticed, and something else gets them chosen.

"Talent might get you noticed. People skills get you chosen."

He is specific about what "people skills" means. It is emotional intelligence: the ability to understand yourself, manage your emotions, read people accurately, and interact in a way that builds trust. It shows up in how someone carries themselves, how they communicate under pressure, how they respond when corrected, and how they make other people feel.

That last one carries further than most young people realise. As he puts it, the way you make people feel becomes your reputation long before your résumé gets a fair look.

This is not a soft claim. He cites Daniel Goleman's research finding emotional intelligence is often more predictive of career success than IQ or technical skill, with EQ competencies twice as important as cognitive ability for long-term performance and promotability.

What this changes for you. If you are coaching only the measurable things, you are coaching the half that gets them noticed and leaving the half that gets them chosen to chance.

The TEEE Score, and why it is the useful frame

Chapter 5 gives the book its central framework. Dr. Crosse built it after years of watching people with obvious talent plateau while others with fewer advantages accelerated.

  • T — Talent: what you can do
  • E — Effort: how hard you work when no one is watching
  • E — Energy: how you make people feel
  • E — Execution: your ability to deliver results

He points out that every leader already evaluates on these four, they just don't name them. A coach picking a player asks: can they do it, do they want it, do they lift the team, do they deliver when it matters. Employers ask the same four questions in different words.

"Talent opens doors, but it does not keep them open."

The framework's value to a mentor is that it turns a vague worry — they're bright but something isn't clicking — into a specific one. A young person is rarely weak across all four. Usually one letter is dragging, and it is almost never Talent.

How to use it. Score them one to ten on each, honestly. Then ask them to score themselves. The gap between the two numbers is usually the most useful conversation you will have all year.

Market value is built quietly

Chapter 6 makes the point that opportunity does not begin when someone important notices you. It begins earlier, and in private.

"Opportunity begins when you start making decisions as if someone is watching, even when no one is."

He lists what that looks like in practice: choosing to study rather than scroll, arriving early instead of sliding in at the last minute, looking people in the eye instead of down at a screen, listening fully instead of rehearsing your reply, following up without being reminded, doing the work when tired, choosing integrity over shortcuts.

Each is small. His point is that they stack. Over time they form patterns, and patterns become reputations.

The book opens with a related list — ten things that require no talent at all: punctuality, work ethic, effort, body language, energy, attitude, passion, being coachable, doing extra, and being prepared.

Why this matters for a parent or mentor. Every item on both lists is coachable at home, for free, starting today. None of them require a programme, a fee, or anyone's permission.

Big Rick, Miss Paulette, and the case for modelling

If you take one story from the book into your own practice, take this one — because it is the clearest evidence that what you are doing works, and it is about an ordinary adult, not a programme.

Big Rick was the father of Dr. Crosse's best friend, watched closely from the age of eleven. He had no prestigious title: "He was a medical supply deliverer by trade."

"Yet when he walked into a room, people felt him. They listened. They respected him. They made space for him. His job did not define his market value. His presence did."

What that presence consisted of is a coaching checklist in disguise: "He showed up with confidence, but not arrogance. He spoke calmly, but firmly. He made eye contact. He listened more than he talked. He treated everyone with respect, whether they were the CEO or the kid sweeping the floor beside him. He had standards for himself, and people could feel that immediately."

His wife, Miss Paulette, modelled the other half — "kindness, emotional perception, and communication."

"When she asked how you were doing, you could tell she actually cared about the answer. She listened with her face, not just her ears."

She noticed when someone in the room was uncomfortable and adjusted the environment to include them. Between them they "created an ecosystem where presence and kindness were not abstract concepts — they were daily expectations."

The outcomes are not incidental. One daughter became a VP at a bank in Delaware, "not simply because she was intelligent, but because she learned how to manage relationships, communicate clearly, and navigate rooms where emotional intelligence mattered as much as technical skill." The other became a business leader known for putting people at ease.

And a boy who was only watching from across the room went on to write this book.

"Children rarely learn emotional intelligence from lectures; they learn it from observation, repetition, and exposure to adults who model it consistently."

That sentence is the job description for this entire course. It also explains why the phone rule in Module 2 has to start with you: a young person told to put their phone away by an adult holding one has not learned a standard, they have learned who has the power.

The part that should reassure you

Dr. Crosse answers the objection every adult eventually raises — some kids just have this and mine doesn't:

"People often assume EQ is innate, something you either 'have' or 'don't have.' But environments teach it. Mentorship teaches it. Families teach it. And for those who did not grow up around it, books, mentors, coaches, classrooms, and deliberate practice can teach it too."

Nothing in this course is a fixed trait. Which also means a young person who has made a poor impression is not finished — the chapter is explicit that market value "is not permanently tied to your past mistakes. It responds quickly to intention and consistency."

"Even if you mishandled opportunities before, you could rebuild starting today."

Say that one out loud to anyone who thinks they have already blown it.

The test · 10 questions · pass at 80%

1. According to Dr. Crosse, what is the difference between what talent does and what people skills do?

2. What do the four letters of the TEEE Score stand for?

3. How does the book define Effort within the TEEE Score?

4. How does the book define Energy within the TEEE Score?

5. Whose research does the book cite on emotional intelligence and career success?

6. According to Chapter 6, when does opportunity actually begin?

7. The book says small repeated choices "stack". What does it say they eventually become?

8. Which of these is NOT one of the ten things the book says require no talent?

9. For a mentor, what makes the TEEE Score more useful than a general sense that a young person is "not quite clicking"?

10. The book suggests a mentor score the young person on TEEE and have them self-score. What is the value of doing both?

Presence, and the phone

Chapter 3 comes early in the book on purpose — Dr. Crosse calls presence the first daily test of discipline. The chapter is about phones, but the subject is attention.

He lists what a phone in the hand says to the person across from you, whether or not you mean it: I'm not fully present. This moment isn't important. I'm disengaged. I don't know how to interact without a screen. Then the line that matters:

"Even if none of that is true, perception becomes reality."

He roots this in something a lot of families will recognise. Elders taught young people to speak when they entered a room, to look adults in the eye, to pay attention, and to show respect through behaviour. He is explicit that those lessons were not about control — they were preparation for a world that judges quickly and sometimes unfairly. His conclusion is that those values are not outdated; they are a competitive advantage.

Coaching it. This is the easiest habit on the list to model and the hardest to demand. A young person who is told to put their phone away by an adult holding one has learned the rule is about power. Put yours down first.

Their story is their résumé

Chapter 4 draws a distinction worth teaching directly:

"Résumés list tasks. Stories reveal purpose. Résumés show what you did. Stories explain why you did it. Résumés describe skills. Stories communicate character."

His point is that people want more than credentials — they want to understand what shapes someone, what motivates them, and how they respond under pressure. They are working out whether this person can be trusted, coached and relied upon. A young person who can only recite accomplishments leaves all of that to the listener's imagination.

He is candid about why this matters more for Black students and professionals, who are often navigating spaces where assumptions are made quickly and context is missing. A story supplies the context before someone else invents it.

Coaching it. "Tell me about yourself" is the most predictable question in any room and the one most young people improvise. Have them build an answer and say it out loud until it is clean. Not memorised — clean.

Small talk, cold conversations, and the follow-up

Chapter 8 defends small talk on the grounds that most opportunities do not begin with a formal interview. They begin quietly — a brief conversation before a meeting, a hello in a hallway, a comment while waiting in line.

Dr. Crosse tells his own story here. In a fellowship interview he was asked, early and bluntly, when he had first known anyone white. He answered calmly — second grade, Sister Joan, his maths teacher — which surfaced that they had both attended Catholic school, and the conversation changed. He was offered the fellowship and became the first African American male fellow in that department. His summary is that connection changed the outcome.

Chapter 10 handles the harder case: starting a conversation with someone you don't know. He argues the obstacle is not knowing what to say but what you fear will happen if you speak, and that fear is protective rather than logical.

"When you don't speak, you don't get seen. When you don't get seen, you don't get chosen."

The chapter's summary line is the one worth repeating to a nervous young person: confidence is usually the reward for action, not the prerequisite.

Coaching it. Rehearse the opening, and rehearse the follow-up separately. The follow-up is where almost everyone drops the thread, and it is the cheapest advantage available.

The scripts, so nobody has to improvise

The most useful thing you can give a young person here is not encouragement. It is words they can say. Dr. Crosse supplies three structures, and all three are worth rehearsing out loud with them until they stop sounding memorised.

FROM — when they do not know what to ask

  • F — From, and Family. Where someone is from and who matters to them. "Asking about family creates warmth immediately."
  • R — Recreation. What they do for fun. "Hobbies humanize conversations."
  • O — Occupation. Framed "in terms of curiosity rather than interrogation." For a student, their major.
  • M — Motivation. What drives them, what they are working toward. "This is where conversations deepen."

He is explicit that it is not a checklist: "You do not need to ask every question. You simply move naturally through the framework."

YES → ADD → ASK — when it goes dry

Acknowledge what was said. Add one related thought. Ask a follow-up. Someone says I'm majoring in biology, and it becomes: "That's a strong major. I've seen many biology students go into healthcare or research. What made you choose it?"

His phrase for what that produces — rhythm without interrogation or monologue — names the two ways conversations usually fail, and a young person who hears it that way will recognise both in themselves.

Compliment + introduction — the cold open

"Hi, I just wanted to say I really liked what you said about ______. My name is ______. Nice to meet you."

And the reframe that removes the fear: "notice what makes it powerful: you are not asking for a job. You are not begging for anything. You are simply connecting, learning, and showing maturity."

The two things to correct gently

The five-second rule. Approach within five seconds — "if you give fear time, it will talk you out of everything." Worth naming because a young person who hesitates usually believes they are waiting for the right moment, when they are actually waiting for the fear to pass. It will not.

Ending the conversation. Most young people either trail off or vanish. The whole script is: "I really enjoyed talking with you, let's stay in touch." Appreciation plus clarity. And one rule — "Never disappear mid-conversation."

One last note for the adult: the reason to rehearse rather than explain is that Dr. Crosse's own framing of practice applies to you too. "Awkward moments mean growth is happening." A young person who has been awkward with you three times is considerably less likely to be awkward with the recruiter.

The test · 10 questions · pass at 80%

1. Why does the book place the chapter on phone etiquette and presence so early?

2. What does the book say about the gap between what a phone habit means and how it is read?

3. How does the book characterise what elders were doing when they taught young people to speak on entering a room and look adults in the eye?

4. Complete the distinction: "Résumés describe skills. Stories communicate ___."

5. Why does the book argue storytelling matters especially for Black students and professionals?

6. In Dr. Crosse’s fellowship interview, what did he do when asked a loaded question about when he first knew anyone white?

7. According to Chapter 8, where do most major opportunities actually begin?

8. What does the book identify as the real obstacle to starting a cold conversation?

9. Which statement matches the book’s view of confidence?

10. For a mentor, why is modelling phone discipline more effective than demanding it?

Networking is a life skill, not a business activity

Chapter 7 takes the word most young people find off-putting and defines it plainly: networking is the process of creating opportunities through connections. It is how jobs, internships, scholarships and mentors happen.

"You have been networking your entire life; you just never labeled it that way."

His examples are deliberately ordinary. Someone at church takes a liking to you and introduces you to someone else. A coach connects you with a former player. An elder at a cookout pulls you aside and says, come here, I want you to meet someone. That is networking, and the young person in each of those scenes did not have to be a natural extrovert to benefit from it.

The chapter's summary is compact: relationships aren't random, they're bridges — and visibility, likability and trust equal access.

Coaching it. A young person who believes networking means working a room will avoid it. Name the ordinary version they are already in, and they will stop treating it as a performance they are unqualified to give.

Widening what they can picture

Chapter 11 identifies a specific and fixable problem: young people assume careers are limited to what they see every day. If a neighbourhood has teachers, nurses, retail workers and a few business owners, those look like the available lanes.

Dr. Crosse's answer is exposure rather than pressure. The chapter walks through fields most young people never see up close, and asks them to picture themselves inside one — being the doctor who makes Black patients feel safe and understood, the administrator who designs fairer systems, the therapist who helps young men process life without shame.

He also puts career choice in a longer frame: it is about carrying a family's legacy forward, breaking barriers for those behind you, and building generational confidence as well as generational wealth. Success pursued with integrity, he argues, is service rather than selfishness.

The chapter summary is the practical part: careers are built through exposure, skill-building, mentorship and steps — not perfect planning.

Coaching it. You cannot give a young person a career. You can give them exposure, which is the input the other three depend on.

Running the play

The final chapter turns everything before it into behaviour. Dr. Crosse describes what running the play looks like on an ordinary day: waking with intention, practising your introduction until it is clean, speaking early in rooms instead of hiding, being first to shake hands, first to say hello, first to send the follow-up, walking into a room as if you belong without needing permission, being present enough to notice who is alone and including them.

None of that is talent. All of it is repetition, which is exactly why the book ends with a fourteen-day system rather than a motivational chapter.

Coaching it. Pick one behaviour, not the list. Run it for fourteen days before judging whether it is working — behaviour changes on a slower clock than motivation does. The 14-Day System tracker on this site is built for exactly that, and it needs no account.

Why inspiration fails, and what replaces it

If you have ever watched a young person come home from a great talk, fired up, and then watched nothing change by the following Tuesday, Chapter 12 explains it — and it is not a character problem.

"Most people get inspired, then they go back to life as usual… That's not because they're lazy; it's because they don't have a system."

This is the single most useful sentence in the book for an adult who coaches. It moves the diagnosis from they don't want it enough to nobody gave them a structure, and only one of those is something you can help with.

Dr. Crosse's definition of the goal is similarly practical:

"Greatness is not a personality trait. It's a pattern. It's what you repeatedly do when no one is clapping."

And his distinction between effort and mood is worth saying out loud to a young person, because most have never heard it framed this way:

"Effort that shows up only when you feel like it is not effort, it's mood. Leaders can't trust moods. Coaches can't build around moods."

The permission that makes it possible

The other thing to hand them, especially anyone overwhelmed by how much of this there is:

"You do not need to master everything at once. You need to master the next thing."

Which is also the instruction for you. Coaching all twelve chapters at once produces nothing. Coaching one behaviour until it is automatic produces a person who believes the next one is possible.

The 14 days, and how to hold them to it

The closing assignment is five points a day, scored like a scoreboard: one conversation with the phone fully away; speaking up once somewhere they normally stay quiet; starting one small conversation; sending one message that strengthens a relationship; and doing one thing that improves their future.

The instruction that matters most is the one about failure, and it is the one adults most often get wrong by accident:

"Your goal is not perfection; your goal is consistency. If you miss a day, don't quit. Reset the next day. Champions don't win because they never fail; they win because they don't stop."

A missed day is the moment the whole thing usually collapses — not because of the missed day, but because of what the young person concludes about themselves from it. Your job at that moment is to make the reset unremarkable.

At the end, five reflection questions: what felt easiest and why, what felt hardest and why, what changed in their confidence, what changed in how people responded to them, and one habit to keep for the next 90 days.

That fourth question is the one to press on. It is the first hard evidence they will have that any of this works, and it is the answer that makes the ninety days feel worth doing.

The test · 10 questions · pass at 80%

1. How does the book define networking?

2. What point is the book making with the examples of church, a coach, and an elder at a cookout?

3. According to the chapter summary, which three things equal access?

4. What problem does Chapter 11 identify about how young people picture careers?

5. According to the chapter summary, careers are built through exposure, skill-building, mentorship and steps — rather than what?

6. How does the book frame the purpose of career success?

7. Which of these does the book describe as part of "running the play"?

8. Why does the book end with a fourteen-day system rather than a motivational chapter?

9. What does the book suggest is the single input a parent or mentor can most reliably provide?

10. A young person tells you networking feels fake and they are not good at it. Which response best matches the book?

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